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the BBC doesn't have a Japanese news section
I was talking to a Polish-born coworker the other day (he immigrated during his university years and became a US citizen) about good news sites, other than the Polish ones he reads, and he recommended the BBC. I agree; it's a great site with informative, multimedia features and has a good learning English section. I noticed that they offer news in several languages, but Japanese isn't there! I'm surprised...they have other Asian languages, including the ones that aren't widely spoken. Why there's no Japanese, I don't know.
Since Japanese wasn't there, I decided to check out the Portuguese section, which of course is easier to read than Japanese, even though I don't know all the words.
Another incredible feature at the site is learning languages! They have several, including Japanese, though I'm seriously interested in improving my German. At one point, my German ability wasn't bad, and now it's awful. I even took a trip there, and was eventually able to function in German, but now, I don't think I'd be able to manage it :(
I'm assuming the BBC is publicly funded...way to go and thank you very much for providing such a great service!
Author : Margaret Larkin
Translation of Anime News: 50th Anniversary of Astro Boy
I did another translation from the "Anime!Anime!" site of the article, "Family Gekijo's special TV program 'The History of Japanese Television Anime Creation' on the 50th Anniversary of Astro Boy." Here's what it said:
In 2013, the television anime "Astro Boy" [Tetsuwan Atomu], which played an epoch-making role in Japanese anime history, is celebrating the 50th anniversary of its first broadcast. The 50th anniversary will be commemorated this year with the following schedule.
First, in February, the major cable company Family Gekijo will present an Osamu Tezuka special, and in March it will feature the 50th anniversary of "Astro Boy". There will be two special programs that will focus on Tezuka's anime.
Family Gekijo has produced its own special program, "The Manga God: the History of Japanese Television Anime Creation," a 30-minute documentary that explores the birth of anime in Japan.
The basis of Osamu Tezuka's anime will be explored, as far back as the experiences he had in his childhood. Anime supervisor Daisaku Shirakawa, animation history researcher Nobuyuki Tsugata, and Eichi Yamakawa, the first producer at Toei Animation, will be interviewed. The program is planned for March 10.
Also, "The Manga God: Phoenix Reincarnated" will air on February 17. These are the same original Family Gekijo programs that aired in 2012, in which Osamu Tezuka can also be spotted.
In February, Tezuka's special collection, "Black Jack", "Phoenix Houou [Mythical] Hen", "Phoenix Yamato-Hen", "Phoenix Uchu [Space] Hen", "One Million-Year Trip: Bander Book" [Hyaku-man nen chikyu no tabi banda bukku], "Undersea Super Train: Marine Express" [Kaitei choutokkyuu Marine Express], and "Three-Eyed One" [Mitsume ga touru] will be broadcast.
In March, the HD remastered "Astro Boy" will be shown on television for the first time. "W3", "Vampire" [Banpaiya], "Adventures of Goku" [Goku no daibouken], and "Dororo" are the television anime masterpieces that will be shown from that period.
Starting March 2, "Osamu Tezuka Gekijo" will be a regular feature every Saturday at 8:00, a powerful push of the Tezuka and Atom 50th anniversary.
Author : Margaret Larkin
Bruce Lee drawing
Kesan, aka the funny Chinese clown, drew this image of Bruce Lee, and added his screen name in Chinese, 李小龍 "Xiaolong", which according to Wikipedia means "little dragon". I think it's cool. (Kesan's last name is Li, btw...same sound as "Lee".)
Ever since I saw Enter the Dragon when I was in Asia, I have liked Lee because he achieved a balance between the East and the West in that film. Actually, it was on TV the other day, and I saw it again, which means I've seen the movie several times at this point. Too bad he passed away so young :(
Author : Margaret Larkin
Odd Korean doll
Watch this hilarious short video (shared by Kesan, aka the former teenage Chinese clown) of an advertisement for a doll in Korea. I guess they enjoy playing with bodily functions over there.
Author : Margaret Larkin
Why Rick Kogan deserves his success
I've been wanting to write about Rick Kogan for a while, but I've been too busy working and too tired during my downtime to clear my mind enough to do a post, but this is something that has to be put out there.
If you've noticed my masthead (the top part of this blog), you've seen Rick Kogan's quote for a while. He's been a newspaper writer for several years, and has worked at the Chicago Tribune for the last chunk of his career. He's also authored several books, has been on TV and radio, and has hosted events all over Chicago. Bottom line: he's a very successful media guy, and I'd say he has the best gig in town.
The fact that he submitted a supportive quote of my blog shows what an open-minded person he is, who cares about quality more than celebrity. Sure, he knows everyone, even powerful people in politics, but he doesn't judge people on their resume or pedigree. For example, not only is the quote in the header an example of his generosity, but he also was very cool when I first met him around eight years ago. I first met him at an appearance he did at the Harold Washington Library for his Ann Landers book, and he signed the book for my mom and wrote that I'm very smart. I barely talked to the guy, but he was complimentary in that way. Then I met him at another book event at the Chicago History Museum, and he asked me to come on his radio show to talk about a book that he actually bought for me! So I went to his show, went on the air, and he said I could come back whenever I wanted. Which I did. I ended up going to the radio station several times after that, and would just hang out in the studio and watch him do interviews.
What's important about his invitation is that he *never* asked me what I did for a living, didn't ask me what my educational background was, where I was from, who I knew...nothing. All he did was meet me, liked me as a human being, and invited me to his show. Then after that, while still never asking me anything, gave me an open invitation. Seriously, who would do that? It seems like something out of fiction, but that's the way he operates. He even let me come on his show a few times to promote a reading for the book (anthology) I published and for a podcast seminar I did, in addition to just making comments on the air once in a while (you can hear a couple interviews he did with me on my media page).
Also, when I eventually got work at the radio station he was on (which took several attempts and rejections btw), I ended up filling in for his producer a few times. Rick always got the producer, the news guy, and the engineer whatever they wanted from Starbucks. Every single week. I've worked with various radio people, and I haven't seen such generosity from others, even the ones who earn a lot more than him. But that's how he is: he thinks about other people and has a truly giving spirit. Maybe it's how he was raised, or that he's retained that 1960's attitude, but he has helped many people throughout the years. He has paid attention to those musicians, writers, artists, and others who don't have the slick PR campaigns or the insanely huge followings and has promoted them, and given them exposure that has helped them.
Also, through the years I've been writing and working in radio, he has been consistently encouraging. I've had my disappointments and have encountered people who haven't given me a break or who have been discouraging or downright rude, but he's always complimented me and has even told me that I should be tapped to do more than I'm doing now. It hasn't happened, but even if it never will, I can keep his words in my mind to remind me that he's one of the talented, successful people who believes in me. And I'm sure others who've met him would say the same as what I've said.
Right now he's filling in at another radio station, and he continues to write and have an interesting life. If anyone deserves continued success and a dynamic social life, it's him. There's a saying, "What goes around comes around," and he's helped so many people who have been toiling in obscurity like me, so he *should* be getting the good things that come his way.I did an interview with him for my podcast last year...you can listen right here.
Author : Margaret Larkin
Apostrophe flow chart
Finally, someone has explained correct apostrophe use with a graphic *and* text...thanks to HGPublishing for posting this.
Author : Margaret Larkin
Royce and Tali come to Chicago this Saturday
I met Royce Deans five years ago through Deviantart, and since that time, he's really been doing a lot with art and has expanded his projects. He and Tali Farchi formed a painting endeavor called Paint in Action, where they do live painting to music. I've seen it myself, and it's pretty cool. One or more musicians will play music, and they will paint as a response to it, and their art is projected onto a wall. They post their finished pieces in the gallery where they are working and online.
They've been in Chicago a couple of times, and they're coming again this Saturday, March 17 to participate in The Chicago Loop Colorboration Project. Tali will be in town until April 11 and Royce will be here until April 24. But you should check out the website for the latest info as changes occur.
The location where they will be painting with live music (different musicians and groups every day) is at 208 S. Wabash (here's a map). It will take place from March 17 - April 24. There will also be an Artist Reception on Thursday, March 22, from 5pm to 10pm. I usually work at night, but I'm going to try to make it early, around 5 pm, or late, around 9 pm. See you there!
Author : Margaret Larkin
Interview with Rick Kaempfer, author of
Rick Kaempfer is a successful Chicago writer who wrote the excellent book , which is a satire about the radio industry.
Why did you write this book?
I started writing this book in my head while I was still employed in radio, and just couldn't believe what I was seeing during the deregulation era. The entire industry was being transformed, and not in a good way. I consider my first book The Radio Producer's Handbook my love letter to the industry, and my "Dear John" letter to the industry, formally breaking up with it.
Why did you break up with it?
I could see the direction it was headed, and I no longer wanted to be a part of it. Providing a quality product literally didn't mean anything anymore. I would sit in promotion meetings and ask questions like "Why would the listeners want to hear this?" and they would reply "Our customer is not the listener. Our customer is the client." I knew enough people in the business to know this was happening at all of the big corporately owned radio stations, so I had two choices at that point. Re-calibrate my brain to think that way, or break up with them until they regained their sanity.
What in your own radio experience shaped this book?
There were three main things that happened directly to me that made me realize this "five or six companies owning everything" media could be headed for disaster. The first one was the time I was called into my general manager's office and ordered to write a letter to the F.C.C. supporting further deregulation. I said to him, "but I don't agree with that." And he said, "If you don't write it, you'll be fired." I buckled and told him I would write it, though I never did.
The second incident occurred a few years later. Our morning show started the show every day with the National Anthem sung by the Dixie Chicks. When the Dixie Chicks got into hot water for criticizing the president, we were ordered to stop playing it. When I pointed out that we weren't getting complaints about it, and after all, it was the National Anthem, I was told that we would be fired if we played it again. And the last thing thing that influenced me was the last few months of my time at WJMK, when the station clearly didn't want us anymore, so they tried to make us miserable, hoping we would quit and forfeit our severances.
The first incident opened my eyes to the new realities of corporate owned radio. The second incident opened my eyes to the possibility of the media being used to further a political agenda (not to mention the ease with which a group could be blackballed when only a few companies owned everything). And the last incident gave me the idea for the plot of the novel.
Why did your general manager care about furthering deregulation? When he threatened you, could you go to some legal authority to file a complaint?
He cared about furthering deregulation because he owned a ton of stock, and he knew that he would be personally enriched in the short term. I kid you not, the day it went through, he held a staff meeting, and said to everyone, "I just got off the phone with my broker and he said 'Congratulations, you're f***** rich!'" Talk about an awkward moment. That was so strange.
As for filing a complaint, I didn't want to be branded as a troublemaker. I never really considered it, because every avenue led to "you'll never work in this business again."
Did you get your severance?
We did get our severance.
Why choose satire fiction? Why not write a non-fiction book or essay about the radio business?
I purposely chose satire because I wanted to point out how ridiculous the media world already was--and how much more ridiculous it could become. A few of things I predicted in the story as a joke have actually come true since the book came out. The ridiculous cost cutting (way beyond what anyone anticipated), the creation of a liberal clone of Fox News (MSNBC), the Nascarization of television (the ads all over the screen all the time), the rigged game on Wall Street (remember, this was written before the collapse of 2008). I thought it was satire, but it turned out to be true. So maybe it really is non-fiction. :)
By doing a satire, were you afraid of sounding preachy?
I never really considered satire to be preachy. It's more like "Please tell me I'm not the only one seeing this." If I am the only one seeing it, it's not funny, and the whole book is a failure. If I'm not the only one seeing it, the satire works. It's a big risk, I suppose. But I figured that since my publisher instantly saw it as "a truth that needs to be told", I wasn't alone.
Did anyone from such companies as Clear Channel complain?
The companies themselves didn't complain about the book, but I did run into a few radio and television personalities that said things to me like "Oh man I loved the book, but you know we're owned by Clear Channel (or CBS or whatever), don't you? My boss would kill me if I had you on the show." I did learn something important about the business during the publicity portion of the book. If you're criticizing the media, it's not that easy to get coverage in the media. (I eventually found ways around it, but only because I personally know so many media personalities). I was very pleasantly surprised how well the book sold under the circumstances. Remember, all of the major publishing houses are also owned by the media giants, so there was no way I was going to get this published by a major publisher. ENC Press (a boutique New York publisher) was willing to take a chance on me because they wanted this message to get out there too, and I'll always be grateful to them for that.
I didn't expect any complaints, so I wasn't surprised I didn't get any. The thesis of my book is that the only thing they care about, and I really mean literally the only thing they care about, is the price of the stock and the amount of money they personally make. As long as my book didn't affect that in any way, and of course it didn't, I was invisible to them.
Has your book influenced anyone in the business?
I'm not sure if my book has influenced anyone, but I do know that the big companies I skewered in the book like Clear Channel and CBS have begun to realize the mistakes that were made. I'm told that sales departments and programming departments are working together much better than they used to. That's a step in the right direction. Both sides used to feel a sort of "you're nothing without me" attitude towards the other, and while that was true (you have to have content in order to sell, and you have to have sales in order to survive), it was needlessly antagonistic. The hard times in the industry forced the two sides to get along a little better. At least that's what people have told me. I'm not in the trenches anymore, so I can't officially confirm whether or not that's true. I hope it is.
Do you think the radio business will fail?
No, I don't think the radio business will fail. It just has too much to offer. It may change, and it may change drastically, but it still offers a valuable service to the community--especially if it provides local content.
Who did you base the characters on?
The characters are pretty obviously fictionalized versions of the real media tycoons of that era (early-to-mid 00s). I read everything I could about all of them, and discovered that they shared certain traits and characteristics. Each of them was wildly interesting and entertaining in their own way, and though each of them were rich beyond their wildest dreams, they were, to a man, miserable and incredibly disliked by everyone that knew them. That was my leaping off point. From there, I just let my imagination run wild.
How did you maintain your narrative voice?
The narrative voice was something that came naturally to me. The main character, Zagorski, was someone I knew. It was a mixture of people I had worked with and for, with a pinch of me thrown in there. I witnessed so many radio personalities exhibiting Zagorski's righteous indignation for all of the wrong things, he almost wrote himself. As for the other characters, I felt like I personally knew them too. I had read just about everything written about all the media moguls, I knew exactly how to passive-aggressively confront them if I ever got the chance. Zagorski got the chance, and boy was that fun to write. Keeping a consistent narrative voice under those circumstances was incredibly easy.
How do you write a novel?
There are so many different ways to write a novel and I've now written three of them in three different ways, so there's no obviously no correct way to do it. I still think the best way is to know the ending and to work backwards from there, but with my latest novel The Living Wills we didn't do it that way, and it also worked out just fine. The most important thing is that you need to motivate yourself to keep on writing. Find ways to reward yourself along the way. Finished the chapter! Cheers! Finished the first draft! Cheers! Finished the second draft! Cheers! Got a publisher! Got a cover! Etc. By the time you get the actual copy of the book in your hand you've celebrated a zillion times. Then again, maybe I'm just a lush, looking for an excuse to celebrate.
Did you do an outline?
Yes, I did do an outline. A pretty extensive one. I had to create an entire imaginary media world, so I had a big chart on my wall as I wrote, showing me which mogul controlled which company. I created a company profile of each little subsidiary. Then I mapped out each individual chapter and began to write.
How did you know how to craft a good chapter, and how did you know when it was finished, and done well?
I knew what had to be included in the chapter, information wise, to progress the plot and story line, but I left myself the freedom to write it in whatever location I chose at that moment. That made it more fun for me--and provided some of the funnier moments in the book. I always knew where the story was going, but the fun was going to be in the journey, and not so much in the destination, so each chapter had to have a life of it's own. So, I wrote and re-wrote each chapter, and then read it out loud until it sounded just right, and limited myself to a chapter a day to make sure I didn't take any shortcuts. And I concentrated on making sure the ending of the chapter wasn't an ending, as much as it was a prelude to the next chapter.
How do you stay motivated and know when it sounds right without an editor checking it, and how can you write without feedback from an outside person? I'm asking this because I find it difficult to write for long periods of time with no external feedback or audience.
I pride myself in my ability to self-motivate...but I get your point about outside feedback. My wife really helps me out with that--at least she did during the writing of . She's very good at smaller picture issues like grammar and verb usage, and she's a tough critic. She won't hesitate to tell me when it's not up to snuff, or when something doesn't make sense. For the big picture items, my editor at ENC Press helped me realize I was over-explaining things--and guided me how to better use subtext. She also pointed out which characters needed to be fleshed out and which ones needed to be eliminated. I found out pretty quickly that I had a gifted editor on my hands.
What is your writing approach?
I'm an incredibly disciplined writer, but that's mainly out of necessity. I'm at home with my kids, so my work day is really limited to the time they are in school. So, I start writing the moment the last kid leaves for school, and I stop writing the moment the first kid comes home from school. At night after the kids go to bed I plan out what I'm going to write the following day and let it gestate in my brain, so that I can hit the ground running.
Even without responsibilities, people would still not have such discipline. How did you develop it, or was that just part of your personality?
I'd say it's not really a part of my personality, because in every other way I'm a lazy sack. I just happen to love writing, and I feel so lucky to have been given the opportunity to do it for a living. I don't want to do anything to screw it up. I was the same way when I was working in radio. Even though I had issues with the business, I never had issues with creating radio shows. That creative process was exhilarating. I absolutely loved it. Nobody was more surprised than I was when I found something I loved even more. Writing gives me all the thrills creative radio gave me, and I don't have to get up at 2AM to experience it. Honestly, these last five or six years have just been bliss for me.
Writing is a solitary endeavor. How do you deal with working like that? Do you balance working alone with socializing? And was working in radio more social?
Radio was way more social than writing, no doubt about it, but I kind of like the solitude of writing. I still get plenty of social interaction through my kids, my friends, and my various interview projects, so I don't feel like I'm missing out. I always say, imagine how much work you would get done if nobody interrupted you for six hours every day. I really concentrate virtually of my writing into those six hours, and I love it.
Is the key to publishing/writing success to know people in the media so that you can get coverage? Does media coverage lead to sales success, or is it possible to achieve that without media coverage?
Media coverage does lead to sales success, but only if the product is good. If you have bad word of mouth once people start reading your book, then all the media coverage in the world won't help. There are lots of ways to get media coverage these days, without knowing someone in the traditional media. The internet and social media are great equalizers now, but they weren't powerful yet when came out. Facebook was still in it's infancy, and Twitter didn't even exist (or at least I had never heard of it). One of the reasons I started my blog in the first place was that I wanted a place to promote my writing; a place to build an audience. When came out I was only getting about a hundred hits a day, so it didn't help me much at the time. Since then, the audience for my blogs (I have several) has grown to over a million visitors a year, so now it's a viable platform--and I've seen how much it helped sales with my latest book The Living Wills.
What's a good way to build an audience? How did yours grow so large?
I think the key is to be as professional as possible. I was accustomed to coming up with a ton of material every day when I was a radio producer, and I just continued doing that on my blog. I quickly found out what stuff interested people and what stuff didn't, based on audience reaction, and it slowly built from there.
My Chicago Radio Spotlight blog started at a time when Robert Feder was briefly absent from the scene (after his time at the Sun-Times), and I think people were starved for information about radio folks. I know Larz at the Chicagoland Radio and Media site gave me a few plugs and that certainly helped. My Just One Bad Century website started up the season the Cubs looked like they were going to put it all together, and it garnered a lot of attention that year, which has translated into a fairly loyal audience. My Father Knows Nothing column was just a lark at first--I started that because I wanted to chronicle the childhood of my kids for their future adult selves to enjoy--and it caught on unexpectedly. Last year I was a finalist for a Chicago Headline Club Peter Lisagor Award for that column...losing out to Roger Ebert. Along the way I've been asked to do media interviews about all of these blogs/websites, and that has also expanded the audience.
There are probably very few people that are interested in all three of these subjects (media, Cubs, and parenting), so I've tapped into three totally different types of audiences. I can't say I had this master plan to do it this way--it all sort of just happened. I just follow my own interests, and hope that people follow along.
Since the general theme of this blog is language, I have a language question: you speak German. What is your Germanic background? Do you read German books and magazines?
Yes I do speak German, but we no longer speak it in my mom's house since my father passed away. My mom now generally speaks to us in German, and my brother, sister, and I answer in English.
My mom is from Bavaria (Regensburg), and my father is from Austria (near Vienna), but both of them are ethnically German from Romania (my father was actually born in Romania). Their families fled Romania during the war when the Russians arrived. I was born in Chicago (my parents met here in the late 50s), and then grew up in Heidelberg (in Southwestern Germany) because my father was transferred there by the Department of Defense (he was a civilian in the Corp of Engineers).
I used to read Kicker magazine when I still followed German soccer, but I gave that up more than ten years ago. Now I don't really read German anymore, unless I'm given something to translate.
Author : Margaret Larkin
I wish I knew more about this Japanese fan
I was looking online for Japanese kanji iPhone apps, and found some reviews at Zonjineko. I don't think there are that many anymore, since the review is from a couple of years ago, but the post made me look around his site. It seems to be great for Japanese language and cultural info. Unfortunately, he doesn't say much about himself in his bio, but I wonder if Japanese is just a hobby or part of his work. He goes there (often?) and takes photos, including signs, which is my personal passion (I take pics around Chicago and when I visit other places...which I really should post on Flickr and here), and it's just an interesting site all around.
Actually, he has a good post about not giving up studying Japanese, and in it, he uses the word "Mum" instead of "Mom", so I wonder if he's a Brit or part of that world.
Check it out--he's so organized and seems to consistently post substantial content, which I've been having trouble with lately :| He even has a newsletter you can subscribe to!
Author : Margaret Larkin
Translation of Anime News: Be in a Manga
I asked an anime fan if there's anything I should translate that would help fans find out what's going on in that world. He suggested this news from the Anime!Anime! site, so I did a brief translation to give people a basic idea of what is going on. Here's the news:
Mangazenkan.com Campaign: Monthly Shonen Champion Series Will Draw Your Image
Manga artists can make your dream come true by drawing an image of you. Winners will have their image drawn by eight manga artists from Monthly Shonen Champion (Akita Shoten). Shonen Champion Comics will choose a total of eight winners, one per comic, between January 7 (Monday) and February 5 (Tuesday).
Participating manga artists are: Ryu Itou from "Sengoku BASARA3-Bloody Angel", Katsuki Izumi from "Oi!! Obasan", Yuu Minamoto from "Kamisama Drop", Masaru Suzuki from "Drop OG", Daishiro Suzuki from "Narikin!", Masayuki Saiwaki from "Chicken", Shingo Honda from "Hakaijuu", and Yoshiji Yamaguchi from "Examurai Sengoku G".
To enter, purchase a manga and fill out the enclosed entry form. Winners who are chosen will be asked to send in their photo.
This is a rare opportunity for fans!
You can purchase the mangas and get more information about this 2013 New Year's gift at Mangazenkan.com
Author : Margaret Larkin
John St. Augustine interview
People who read this blog might be interested in the interview I did with John St. Augustine, who has his own blog and has written a couple of books: Living an Uncommon Life and Every Moment Matters.
I didn't talk to him about the content of his books, but mainly about his positive attitude, his perseverance, and his career, which included working for the Oprah Radio Channel. He also talks about what happened after he took a very long walk from upper Michigan to Chicago.
He's a cool, talented guy who also speaks around the world. Click here to listen to the interview.
Author : Margaret Larkin
Right now, I'm at Williams-Sonoma watching Anupy Singla from Indian As Apple Pie cooking a vegan Indian breakfast! She was a TV reporter who became a cookbook writer: Vegan Indian Cooking and The Indian Slow Cooker. Update: I interviewed Anupy about her career and books for my podcast.
Author : Margaret Larkin
Sarah Vowell: the un-celebrity
Sometimes I get a glimpse of showbiz when I go to Chicago Live because I edit some shows for broadcast on the radio. I've met various interesting people, and tonight, I got a chance to see and meet Sarah Vowell, who has one of the most amazing careers on the planet.
I sat very close to the stage (thanks to the Second City folks at their new club), so I could see what she was like. She wore casual clothes that were not colorful, just gray and black, practical boots, and no makeup. Actually, I think she was wearing foundation or something that people "should" wear on stage. But she looked natural. She was intelligent, witty, and didn't smile as she delivered her dry lines.
Compare such a performance to most women in the biz: they're usually animated, wear makeup, and try to smile to get the audience's approval. Sarah is lucky because she doesn't have to do that. In fact, I bet it would ruin her reputation. Imagine making a living in the public eye being yourself and using your intellect to express yourself. Rare. Very rare.
After the show, I went to the book table to tell her that she's really blessed because of all that she's achieved without having to act or look a certain way, and she didn't really have much of a response. But at least I got to say it!
Author : Margaret Larkin
The Fake in Facebook
I recently read The Boy Kings, which some big-time media outlets have billed as a “tell-all” of Facebook, but it really isn't. It's written by Katherine Losse, who left the company, even though she managed to go from mere customer support staff to the writer of the Big Boss' blog and get a really nice paycheck for it. She also was responsible for internationalizing Facebook, a feature I've taken advantage of because I'm currently using it in Japanese, but have also used it in French, Portuguese, and British English (because it's still cool to use a version of English that's different than mine).
I wasn't going to finish reading it because I found her detachment through much of the book irritating. I wanted to know how she felt about working there, not just what she saw. It didn't seem to go very deep. However, towards the end of the book, she started to break out of her observational distance and express her feelings of frustration. So I concluded that perhaps her detachment was a reflection of how she managed to survive the company's culture and the guys she worked with. Actually, at one point, even though she was complaining about her male coworkers, it seemed like she enjoyed the attention of the guys and felt cool to be in their inner circle.
If you're looking for gossip about Facebook or some sordid details, you won't find them in this book, but if you're looking for one person's perspective, you'll probably enjoy it. One thing I liked about her point of view was that she questioned what social media is about. It claims to connect people, but it can make people more distant from each other because what they're presenting is phony and a manufactured image that they want to convey. Also, she tried to define what a friend is, and what kind of world we're creating if friends are just a bunch of names on a list that we're trying to impress. Her concerns weren't exactly like mine, but I'm glad that someone on the inside wasn't totally enamored with Fakebook and had the guts to write about it. She was employee 51, now she's living in a tiny town in Texas enjoying her “retirement”.
Author : Margaret Larkin
A Valentine to No One
It's Valentine's Day, which means it's time to share a Valentine to No One:
Author : Margaret Larkin
Translation: Zuiikin English intro
A while ago, someone told me about some amusing videos from Japan that taught people English with the "Zuiikin Gals". The videos have ended up becoming popular because they seem so odd. Here's what the Fuji TV site says in the introduction (explanation) of that program:
Starting in the Spring of 1992, the Fuji Television network aired an epoch-making educational program called “English Conversation and Exercise” [Eikaiwa Taisou] in which people combined English conversation and exercise! It was a mysterious program that seemed very serious and required hard work, but ended up evoking laughter. As the title says, the program brought together English conversation and exercise. In the beginning, with each movement, as the muscles were trained, they also remembered English conversation! The program was based on that concept. In the beginning, there were short situational plays, and then those scenes of English conversations stopped. Suddenly, the station’s exercise program introduced three “Zuiikin Gals” in leotards on the set, who cheerfully chanted and repeated English conversation in tempo while exercising. The program naturally brought together movement and English conversation to the body. By the way, the rectus femoris muscle was trained the first time.
Author : Margaret Larkin
Take the train west
I didn't post anything here during the past week because I took a train to Los Angeles, then stayed out there for a few days, and wow, do I feel refreshed and relaxed. I highly recommend taking a train out west (or east if you're already out there).
My husband and I took the Southwest Chief line (an image of the map is below, thanks to Amtrak) and got a bedroom sleeper, which included a sink, combo shower/toilet, a couch, and chair. At night, the couch became a bed, and there's an upper bed that can pull out, so three people can fit in there. Neither of us are tall, so we didn't feel cramped, though it seems like the roomette is really tight. Meals were included, and the views were great.
Once we got to Colorado, I noticed that the earth was more reddish-orange, and in New Mexico, it really was red. The most visually interesting part of the trip was from Flagstaff, when it went through the rest of New Mexico into Arizona. I'm sure you've seen lots of pictures of the rocks and landscape of Arizona, but seeing it in person is amazing. Before Flagstaff we passed through mountains, which were of course beautiful, but the colors west of there were breathtaking.
If you get a chance, take a train across the west. You'll see that the USA is vast and beautiful, and you'll arrive at your destination relaxed.
Author : Margaret Larkin
I would be on my way to class now
Today is Presidents' Day, which means I don't have to teach tonight. Usually I'd start wrapping up my day now to get on the road for my annoying commute to the southern part of the city, and I'd usually be tired and would be wondering what happened to my day as it seemed to disappear so quickly. After class I'd *really* be tired and would make the non-annoying commute back home after 10 pm.
I should have planned my day off better. I got a lot of stuff done, and even read a big chunk of my manga, but I still feel like I squandered the time. Perhaps it's because I operated more slowly than usual, and I have a meeting to go to tonight, which means there won't be much time left for reading and finishing up the interview with Rick Kaempfer. Lesson learned!
As it's Presidents' Day in the USA and Family Day in parts of Canada...happy holidays folks!
Author : Margaret Larkin
The Paul Williams "documentary" isn't
I was talking to a friend yesterday, who told me how wonderful the film Paul Williams is Still Alive was. He had gone to the Chicago premiere at the Gene Siskel Film Center on Saturday, where Paul Williams gave a post-movie talk. I told him that I don't usually see films because many don't seem worth the money, but he insisted that this film was great and showed what an interesting and strong person Paul Williams is. Then he proceeded to tell me a lot about the film, and I assumed that what he shared was just part of it. Unfortunately, there wasn't much else to discover once I got to the theater.
The guy who made the film is a professional, but he's either a bad interviewer, or Paul Williams doesn't have much to say. There wasn't much revealed about Williams, though there was a lot of footage that sparked nostalgia and some chuckles. Basically, what we learn is what you can find in a Google search: Paul Williams was an addict and has been sober for 20 years. What the filmmaker, Stephen Kessler, made clear was that Williams is happier now than when he was incredibly successful and famous, but seriously, there's not that much else to the movie. There isn't even anything inspirational that will help others in their quest for meaning and significance from a guy who had it all but is happier now. Kessler didn't try to delve into the process of Williams' transformation from someone who was desperate for attention, money, and fame, destroyed it through addiction, and now is satisfied. It's just a shallow portrayal of an interesting man.
I also fault Kessler for not asking good questions and not bothering to find out what Williams did in all those years between being a big celebrity to being a slight one. He mentions that he was a counselor for addicts, but what else? Also, I didn't find out about Williams' motivations or thoughts about his life and about fame. At one point, Kessler asked him why he bothered to get married when he partied so much. Williams started to answer, but then said he didn't want to talk about it. If Kessler was a good interviewer, he'd ask a question a different way, or try to get some answer out of him. Another example of his weak interviewing skills is when he asked a question like (not the exact wording): "How did you go from being a writer to being on the Gong Show?". Williams said he didn't like the tone of the question, and wouldn't answer it. Again, a good interviewer would rephrase the question because what I want to know, and probably a lot of people want to know, is why he was all over the place, in all kinds of TV shows, movies, etc. Why wasn't he more discerning about choosing projects?
At one point, Williams says that his dad died in a drunken car crash when he was 13, and he ended up living with an aunt. Then later on, Kessler shows some footage of Williams in a TV interview, where he talks about the same thing, sans the aunt part. Why would he include TV footage that's redundant of what Williams revealed in the film? With all the footage and access to Williams that he had, he didn't seem to care about delving deeper into such a loss and change of lifestyle when he was so young. How did he feel about his mom and brother who lived with her? How does he feel about the entertainment business today? How did he get his big break? How does he feel about his success, in spite of the fact that he didn't look like the Hollywood prototype? There are many other questions I had when I walked out of the theater, dissatisfied with the superficial approach that Kessler took. One of the things that we learn when we get older is to be reflective and share what we've learned. Kessler's treatment of Williams doesn't show that, or maybe Williams is shallow. Who knows because I couldn't figure out if it was Kessler's production that made Williams appear that way, or if he's a weak "documentarian" (I put that in quotes because it didn't seem like a documentary, at least compared to what we get from other documentaries).
When the film started, I thought it was going to be an interesting ride that started with Kessler's interest and eventual pursuit of Williams that would then go deeper into his life and thoughts. But the film is a sketch of a man that we can assemble from a variety of sources on our own. I don't feel like I know Paul Williams better, and his story seems to be just about a guy. But he's more than just an average schmo; he's a man who achieved more than most people would ever dream, and he learned a lot along the way. We don't get that or any meaningful insight; what we get is a bunch of images and a few words that end up with an unsatisfying movie experience. So I guess this is another movie I shouldn't have spent my money on.
Author : Margaret Larkin
Acknowledgments with a twist
This week, John Records Landecker's memoir, Records is Truly My Middle Name, is being released, and he has written Acknowledgments that end like this:
I would like to thank everyone who listened. I would also like to thank everybody I ever worked with — but if you’re one of those people who made my life a living hell — go f--- yourself.
I don't think I've seen such sentiments in an author's preface, but I'm sure he said what lots of people want to say.
BTW--the book was produced by Rick Kaempfer, a fantastic author who I interviewed for this blog about his books and The Living Wills.
Author : Margaret Larkin
A typo on Canada Day
Today is Canada Day, and while I'm not Canadian, I like that place and have been there more than a few times. Actually, I'd like to go again, but my passport has to be renewed :D
I was looking at different Canada Day articles, and discovered a typo that the Canadian radio station, Newstalk 1010 (CFRB), committed: using "it's" instead of "its". "It's" is a contraction of "it is", and "its" is the possessive form. Oh well, maybe those Canadians will eventually learn proper English :p
Author : Margaret Larkin
Translation: ☆Taku Takahashi from m-flo criticizes the Japanese music scene
Here's a translation I did of the article, "☆Taku from m-flo says, 'Japan's music is 20 years behind Korea's'" [m-floの☆Taku「日本の音楽は韓国に20年遅れている」と指摘]
☆Taku, from the famous Japanese hip hop group m-flo, talked about how “Japan’s music is 20 years behind Korea’s,” which has been making waves in Japan.
Even though the K-POP boom has spread around the world with PSY’s “Gangnam Style,” etc., people are interested in groups that are active in Japan, which has raised questions about how the Japanese environment has ignored Korean music.
Recently, ☆Taku answered questions about K-POP in a media interview. “Korea has started to expand in the world because the scene is not only domestic. Japan currently resembles Korea 20 years ago, but it should be internationally aware. Even in Japan, when you compare it to Korean music, the sound is very different,” he said about Japanese music, which does not have a total advantage.
“Korean idols are good at singing and dancing, but there are people who say critically, ‘K-POP just imitates hits on the American Billboard Charts!’ However, there are many Japanese people who don’t have the ability to imitate current Billboard songs,” he harshly exclaimed.
☆Taku also answered questions about PSY’s popularity. “I think PSY’s popularity is good luck, but luck is simply not the issue. If he hadn’t thought about how his music would sell in foreign countries, he wouldn’t have emerged,” he pointed out.
“Kyary Pamyu Pamyu is a Japanese singer who is becoming more popular internationally. Her music is interesting, but she’s in a totally different league than PSY,” he said about PSY’s total dominance.
“In Kyary Pamyu Pamyu’s case, her producer Yasutaka Nakata likes Western music, and he blends Western dance music with Japanese melodies so that they’re hits in Japan and abroad. At first, he wasn’t thinking of doing business abroad, but people unexpectedly liked it,” which was a primary cause of Kyary Pamyu Pamyu’s success. “Korean idols are mainly kids from their own country, and for people who like American music to be introduced to their songs, they have to continue to be sent abroad. Not only Japan, but other Asian countries need to think of expanding as well. PSY’s success came from always thinking about the international market,” he said.
In ☆Taku’s interview, he said the insular Japanese music market needs to be thrown open. “Japanese singers only stay in Japan, but there should also be an environment of expansion in China, Korea, and Vietnam. Korea has been challenging Japan in that area. At the same time, for singers to come to Japan, the country should be musically open,” he emphasized.
Japanese people's response to ☆Taku’s interview has been intense. Many say it's correct that the music marketplace in Japan is limited, but on the other hand, VERBAL, who's one of the members of m-flo, is Korean-Japanese, so people wonder, “Was VERBAL brainwashed?” and “He's sold out his country.”
Author : Margaret Larkin
Interview with Rick Kaempfer and Brendan Sullivan, authors of The Living Wills
Recently, I read The Living Wills, which is a novel that at first seems disparate because it opens up with various characters that you think are disconnected, but in the end have some important connections. Also, you find out what is up with Henry, a Vietnam vet, whom you meet at the beginning of the story and who seems like a minor character, but he is not, and you see how people and events swirl around him. Basically, he had an experience in Vietnam that changed him forever, and he affected other people along the way.
At the beginning, the story seems slow and details unnecessary, but they end up making sense because mysterious elements are revealed as the story unfolds. The book is written well and is entertaining. I wouldn't be surprised if it ends up becoming a movie.
I interviewed the two guys who wrote the book together: Rick Kaempfer and Brendan Sullivan.
Why did you choose to write a book together?
Brendan: I pitched the idea to Rick to use the collaborative creativity techniques I teach my corporate clients to use, to apply these concepts to create a novel. It was an experiment. We used improv, brainstorming, mind mapping and other ideation tools.
Rick: Honestly, it was an experiment in my mind. I knew that Brendan and I got along, that our writing styles were similar, and that we were both pretty open minded. It seemed like a good pairing to me.
How long did it take you to write the book?
Brendan: I first pitched the idea to Rick in January 2009. The book was published in December 2011.
How did you know how to edit your ideas into a coherent story?
Rick: That first few times we met at the Catalyst Ranch we really hashed out which parts of the story worked together, and which parts needed to be dumped. From that point on, we were on our way, although we still required...
Brendan: ...Lots of editing, reading one another's stuff, having pre-readers give us feedback, and then feedback from a professional editor.
What inspired you to write this story?
Brendan: My mother was a strong inspiration. She always told me I could do whatever I set my mind to, and she instilled in me a strong sense of family, which is a theme of the book.
Rick: And for me, it was my dad. He died when I was in my 20s, before I was married or had kids, and I didn’t really start writing until he was gone. I wanted to chronicle things for my own kids so that they would know what their father was thinking—if like my own dad—I’m not around when they finally care what I have to say. That process unleashed a passion for writing in me. That’s why Brendan and I dedicated the book to his mom and my dad.
How did you come up with the plot?
Brendan: We generated way too much initial content and lots of three-dimensional characters, then filtered it. We had long ideation sessions loaded with wild ideas, we filled flipcharts with all sorts of possibilities, and then chose those that fit together the best.
Rick: That’s true. We really did create the characters before we created the plot. I think that’s probably an unusual way of doing it. But by the time we started working on the plot, we knew these characters like the back of our hands. That made the plot easier to create, and took us in directions that we never would have gone if he had written the plot first.
Did you know the ending before you wrote the whole thing?
Brendan: We had all 60 or so chapters beated out before we began to write a first draft of the novel. This helped us avoid painting ourselves into a corner. It was crucial that we knew where we were going. We made some changes along the way, but the main structure of the story was set in the first six months of the process, before we typed "Chapter One" on a page.
Rick: Right. We knew the ending, but as it turns out, we didn’t really know what we would find during the writing process. We found all sorts of things, including the main message of the book, which emerged organically. That was a real revelation to me.
The book seems like a weaving of different people and stories that eventually come together and make sense. Why did you decide to have it unfold like that?
Brendan: That structure evolved from the creative process. We began by generating a LOT of story lines, and then we considered which ones were most viable and how these might intersect. We chose three stories. It loosely follows the improvisational theater form called the "Harold" where three scenes begin separately and over the course of a live performance, intersect to become one piece.
Rick: I’ve always been a fan of the kind of novels that have intersecting story lines like this. One of my favorite things about Dickens (my favorite writer) is that he has his characters turning up in unusual and unexpected parts of the story. That appeals to me as a reader, so I thought it would be fun as a writer too.
Did you wonder if the reader would be patient for the story to unfold instead of including a clear inciting incident that fiction seems to have?
Brendan: There was a concern that some readers might read the first few chapters and be confused because each of those early chapters appears to be disconnected from the others. The payoff is for those readers who have stuck with it past the first three chapters. Readers have consistently told us that the slow unfolding and connecting of the stories was an enjoyable revelation.
Rick: We have heard from a few people that it took awhile to get into it. It’s a pretty complex story. But if you trust that your questions will be answered, you will not be disappointed.
Why have several characters instead of one main one?
Brendan: Well, again I don't believe it was a conscious choice but something that evolved from the process. If there is a lead character, it would be Henry, whose life touches all of the others in a profound way. The story is about relationships, and how everything is connected. Three story lines required a lot of strong characters.
Rick: That’s true. I consider Henry the lead character too. He is the glue to this story—the thing that ties them all together.
How did you know readers would be able to relate to the story? Did you have an audience in mind?
Brendan: The story is about normal, real people dealing with real challenges. These are the people I have observed all my life, doing things anyone can relate to. We didn't have a particular audience in mind because we didn't want to change anything just because it would be "more marketable." That didn't seem honest. So there are no teenage vampires in the book, as much as we knew that it might sell a few more copies.
Rick: Shhhhhh! There are all sorts of teenage vampires in this book. I don't know what Brendan is talking about. Teenage vampire fans should buy hundreds of copies of "The Living Wills" and distribute it to their friends.
Why did you choose Vietnam as a prominent part of the story?
Brendan: Our character, Henry, needed to be affected by a powerful event to explain his ensuing actions and decisions throughout his scattered adult life. Vietnam fit. I've also always been impressed by the 'silent warrior' who does his duty for his country and doesn't want to be treated as a hero, who would rather just move on. Of course Henry can't really move on, although he would also never admit that.
Rick: Both Brendan and I are a little too young to have been in Vietnam, but our generation was definitely influenced and touched by it. We all know people that served. For me, it was my Uncle Manny. We used to send him audio tapes so that he could get a taste of home. I’ll never forget the day he came home safe and sound.
The book is good--how did you learn how to write so well?
Brendan: Thanks! Personally, I read a lot. I think a writer learns from other writers. I've always enjoyed the power of the written word to move people, to make them laugh and cry. One way or another, I've been writing for over 40 years now. I couldn't have written this when I was 20 or 30 or 40 years old. I wasn't ready.
Rick: It’s funny, but English isn’t even my first language. I couldn’t diagram a sentence to save my life. But I’ve always been able to tell a story, and to me that’s what writing is all about.
What did you learn from this creative process? Is there anything you learned not to do?
Brendan: I learned that it can work. Two independent, professional, creative individuals can come together and create a novel. Two heads, in this case at least, are indeed better than one. I learned not to get too attached to any material, and to not let my ego get in the way.
Rick: I also learned how valuable it could be to have another set of eyes looking at it the entire way. We do look at things slightly differently, and he saw some things that I didn't see--and vice versa. As for what not to do, don't try to start giving names of characters to nieces and nephews and in-laws. You're bound to forget someone, and then you'll just have to write another book to make up for that.
Do you plan on writing another book together?
Brendan: I would very much like to try it again, knowing what we know now.
Rick: I’d like to give it a shot too. I think first we’re going to tackle the screenplay to this book. We’ve already had a few inquiries from filmmakers, and that has given us the kick in the pants we need to get going on that.
Author : Margaret Larkin
Translation: explaining "giri" to French people
During the first year of this blog, I mentioned the book Cent Questions Sur le Japon, which was published around 30 years ago. It teaches Japanese people how to talk about Japan in French, and is written in French and Japanese. I still have the book and read it occasionally because it's a good way to simultaneously maintain my Japanese and French.
Recently, I decided to translate one of the topics, and had a hard time finding the book online. Then I discovered that it's been updated, republished, and renamed to now be Qu'est-ce que c'est? フランス人が日本人によく聞く100の質問 [100 questions French people often ask Japanese people]. I chose the topic of "giri" since that is unique to Japan, thus has to be explained to people in other countries. The original article is here and the translation is below. Since this is written for Japanese people, there is an introduction in Japanese, and then the questions and answers are in French and Japanese.
It is rather difficult to explain giri, a unique Japanese way of thinking. Like ninjo, wabi, and sabi, it's a word that expresses Japanese logic and a sense of beauty. It will be easier to explain if a concrete example is given for this word.
Q: Giri is often talked about. What is it?
It could be said that it's an intrinsic part of the moral society of Japan, the principles of behavior. If someone does a favor for you, you have an obligation to return it. This takes priority over ninjo, personal feelings and affections. Literature from the Edo period often showed the psychological conflict between giri and ninjo and the suicides that resulted.
Q: Has giri always been part of the Japanese psyche?
Not like in feudal times. But even today, many Japanese people respect the concept of giri. For example, someone can't break off a long-term business relationship with a client, even if there are other clients who seem more advantageous. Also, it's important to give gifts at certain times of the year, such as chugen or seibo to people who have helped us. Giri in modern Japanese society could be considered a cultural restraint rather than an expression of appreciation from the heart.
Author : Margaret Larkin
Remembering my mom
I usually don't post such personal stuff here, but I want to talk about my mom because she passed away exactly two weeks ago, and today would've been her birthday, which always fell on or near Mother's Day.
My mom was ill during recent years, which is one of the reasons why I didn't post here so much. She really had a great attitude during that time, and I decided several years ago to spend as much time with her as I could instead of focus totally on what I wanted to do and achieve. I managed to work and build up a decent resume, but she and my dad (who is still alive) were my priority, and even though people were puzzled by my lifestyle and some were even critical, I stuck to that decision, even though I struggled with what I wanted vs what I knew would be best in the long run. Now that she is gone, I know for sure that I made the right choice, and I have absolutely no regrets at all. Actually, I'm very happy that I spent a lot of time with her, and I encourage others to do the same, if they are able to make that choice. I feel free and very satisfied, and the feelings of doubt and wondering if I should conform to what others are doing are totally gone.
My mom was born in Germany and came to the US when she was a kid because the Nazis were killing and persecuting Jews. Some of her family didn't get out of Europe, so they ended up dying in concentration camps.
I had no interest in German and had no idea that she was able to speak it until I was living in Japan and saw her speak German with a German priest at a Catholic church in my neighborhood. He was a very nice man whose father helped Jews during the Nazi era, and they talked about that for a while. After their conversation, he told me that my mother spoke German well, and I was totally surprised. Even though my grandparents were from Germany and probably spoke German with each other, I never heard them speak with my mom. Her English was absolutely perfect, and she was very passionate about making sure that everyone's use of English was excellent, even professional journalists who she wrote letters to, to point out mistakes or phrases that she thought weren't effective.
I decided to start studying German when I was getting a Master's degree in Education because I was able to take classes for free (I was teaching classes which gave me a tuition break), and I figured it would be a good experience to learn my family's language. My mom didn't show much enthusiasm for my decision because of her family's negative history, and when my parents took my family to Germany to see where my mom and other family members were from, she didn't even bother to speak it for the first few days, which meant that the family had to rely on my weak German to get them around. Eventually she spoke and people said her German was really good.
I don't think she knew that I had a language-themed blog, and I don't think she knew what blogs were. I think I've inherited my love of language from her because she was always analyzing writing and was obviously good at language. She really was passionate about what she read and believed that English usage should be appropriately precise and expressive. She also used her German and English skills to translate my grandmother's letters and a children's short story.
Since I've been focusing so much on Japanese reading for the past few years, my German has become awful, so a few days ago, I started reading Kontakte, which is an excellent textbook that I used in my beginning German classes. I just noticed that registration is no longer required to use their online resources, so I'm going to do that as well!
I miss her because she was a big part of my life and she was a wonderful person, but I know that she would've wanted me to enjoy my life and do what I want. When I told her that I was going to teach this summer only once a week instead of several times a week, she was happy about it. Sadly, she's not around for me to spend time with her, but she told me to relax and spend time doing what makes me happy, which I will do.
At this point, I only want to do what I want to do, and I only want to be with people that I want to be with. I really don't want to put up with things and people that bring me down or that are a waste of time. I have to get used to my new life and schedule, but I think I will adjust eventually.
Author : Margaret Larkin